From Comcast SportsNetNEW YORK (AP) -- With the eye of an art history major, Steve Sabol filmed the NFL as a ballet and blockbuster movie all in one.Half of the father-son team that revolutionized sports broadcasting, the NFL Films president died Tuesday of brain cancer at age 69 in Moorestown, N.J. He leaves behind a league bigger than ever, its fans enthralled by the plot twists and characters he so deftly chronicled."Steve Sabol was the creative genius behind the remarkable work of NFL Films," NFL Commissioner Roger Goodell said in a statement from the league confirming Sabol's death. "Steve's passion for football was matched by his incredible talent and energy. Steve's legacy will be part of the NFL forever. He was a major contributor to the success of the NFL, a man who changed the way we look at football and sports, and a great friend."Sabol was diagnosed with a tumor on the left side of his brain after being hospitalized for a seizure in March 2011.When Ed Sabol founded NFL Films, his son was there working beside him as a cinematographer right from the start in 1964. They introduced a series of innovations taken for granted today, from super slow-motion replays to blooper reels to sticking microphones on coaches and players. And they hired the "Voice of God," John Facenda, to read lyrical descriptions in solemn tones.Until he landed the rights to chronicle the 1962 NFL championship game, Ed Sabol's only experience filming sports was recording the action at Steve's high school football games in Philadelphia."We see the game as art as much as sport," Steve Sabol told The Associated Press before his father was inducted into the Pro Football Hall of Fame last year. "That helped us nurture not only the game's traditions but to develop its mythology: America's Team, The Catch, The Frozen Tundra."The two were honored with the Lifetime Achievement Emmy from the National Academy of Television Arts and Sciences in 2003. In his career, Steve Sabol won 35 Emmys for writing, cinematography, editing, directing and producing -- no one else had ever earned that many in as many different categories."Steve Sabol leaves a lasting impact on the National Football League that will be felt for a long time to come," NFL Players Association executive director DeMaurice Smith said. "His vision and innovation helped make him a pioneer the likes of which the NFL has never seen before and won't see again."He was the perfect fit for the job: an all-Rocky Mountain Conference running back at Colorado College majoring in art history. It was Sabol who later wrote of the Raiders, "The autumn wind is a pirate, blustering in from sea," words immortalized by Facenda.The Sabols' advances included everything from reverse angle replays to filming pregame locker room speeches to setting highlights to pop music."Today of course those techniques are so common it's hard to imagine just how radical they once were," Steve told the AP last year. "Believe me, it wasn't always easy getting people to accept them, but I think it was worth the effort."His efforts extended beyond his work as a producer, including appearances on screen and in public to promote NFL Films' mission.An accomplished collage artist, Sabol exhibited at the ArtExpo in New York, the Avant Gallery in Miami, the Govinda Gallery in Washington, the Milan Gallery in Fort Worth, Texas, and the Garth Davidson Gallery in Moorestown, N.J."Steve was a legend in this business -- a dynamic, innovative leader who made NFL Films the creative force it is today," ESPN President John Skipper said. "The work he and his dedicated and talented team create every day is one of the many reasons why so many more fans love the game of football today."Sabol is survived by his wife, Penny; his son, Casey; his parents, Audrey and Ed; and his sister, Blair. The NFL said there would be a private funeral.
At Goodyear, Arizona, Joe Panik, Conor Gillaspie and Jarrett Parker homered for San Francisco. Jimmy Rollins singled and scored twice.
Giants lefty Matt Moore went 1 1/3 innings in his first start of the spring, allowing one run and one hit. He walked two and struck out three.
Cincinnati starter Tim Adleman pitched two innings, giving up four hits and two runs.
MESA, Ariz. — An unexpected opportunity came Daniel Gossett’s way Sunday, and the young right-hander took it in stride.
When the A’s adjusted their starting rotation, Kendall Graveman got bumped to Monday and Gossett learned he’d be taking the ball to start Sunday’s Cactus League home opener against the Los Angeles Angels.
“I’m here for what they need me for,” Gossett said. “So anything they need, gimme the ball.”
He spun two scoreless innings in a game Oakland lost 5-3 at Hohokam Stadium. A nice first impression for Gossett, indeed, but the truth is A’s officials were already quite familiar with him.
A second-round pick out of Clemson in 2014, Gossett impressed at three levels of the farm system in 2016, beginning the year with Single-A Stockton and finishing it with Triple-A Nashville.
This is his first big league camp, and manager Bob Melvin even mentioned Gossett as being part of the fifth starter conversation.
“He impressed everybody in the organization last year, so when talking about that fifth spot, who knows?” Melvin said before the game.
The only blemishes on Gossett’s day were the pair of walks he issued. After walking Jefrey Marte to lead off the second, he got a lift from his catcher, as Josh Phegley fired a strike to second to nail Marte trying to steal.
“A pitcher’s best friend, I guess,” Gossett said. He went 10-6 with a 2.69 ERA across 27 starts at all three levels of the minors last year, and his 151 strikeouts led the A’s farm system. Gossett’s fastball ranges anywhere from 90-95 on the gun. He throws a changeup that gets the most swings and misses, plus a slider and curve.
Grady Fuson, an A’s special assistant to the general manager, liked the adjustments he saw with Gossett over the course of last season.
“He’s a super kid, a grinder,” Fuson said over the winter. “He’s a guy that hadn’t struck many guys out and had been very hittable in the strike zone. (In 2016), he started executing to different parts of the zone that limits the hard contact.”
CAMP BATTLE: Alejandro De Aza sparked the A’s first rally in the third Sunday with a triple, then scored on Mark Canha’s double. With Jake Smolinski sidelined currently by a shoulder issue, it’s a good time for De Aza, a non-roster invitee to camp, to make his mark. The door could be open for him to make a push to make the roster as a fifth outfielder.
“He’s an interesting guy,” Melvin said of the nine-year veteran. “He knows how to play the game, he can play all three outfield spots. We’ve seen him before when he’s given us trouble, too, with the White Sox.”
Another contender for a reserve outfield spot is Jaycob Brugman, who has yet to crack the majors but is already on the 40-man roster. He singled home a run in the seventh. Like De Aza and Smolinski, Brugman can play center field, and it stands to reason the A’s will want to carry someone who can back up Rajai Davis at that position.
NOTEWORTHY: Phegley admitted to some butterflies before getting behind the plate for his first game since July, when a right knee injury wiped out the rest of his season.
But he looked good springing up to nail Marte on the second-inning steal attempt. The A’s are counting on Phegley returning to his role as the right-handed hitting platoon partner with Stephen Vogt behind the plate.
STOCK RISING: Melvin was impressed, and entertained, by the first look he got at reliever Simon Castro on Saturday against the Chicago Cubs. Castro retired Kris Bryant to strand a runner at third, the only hitter he faced. But it was what happened before the at-bat that caught Melvin’s attention.
“When he came to the mound he was pretty vocal,” Melvin noted. “He was fired up, telling the guys ‘Let’s go!’ I haven’t heard that too many times out of pitchers, let alone in spring training. So he impressed me with his eagerness to pitch.”
FAMILIAR FACES: Campy Campaneris and Blue Moon Odom each threw out ceremonial first pitches before Sunday’s exhibition home opener, which drew a smallish crowd of 4,072.